Poetry is fun!

A place for poets, poetry-lovers, and those who just aren't so sure about this poetry thing. Let's talk!

Tuesday, February 11, 2014

A Tuesday Poem


This poem is sad but also very moving and sweet. You feel terrible for the father, but then his personality comes out, and he seems content, at which point, you feel sad for the mother, but she still seems to maintain a certain amount of humor, perhaps a small happiness that her husband, despite not knowing her, is happy where he is. Of course, it's all told through the eyes of the speaker, the daughter, the real-life poet, who, despite her sadness, can look at the moment through an artist's lens. The title cinched it for me, maybe because New Years wasn't that long ago. While I read the poem, I hear the song at the same time. And the poem does exactly what the song does. It's pretty amazing actually, that juxtaposition of bitter and sweet and memory and present. Nicely done.

My original intention was to talk about Anne Bradstreet today, America's first published poet. I'm rather glad I stumbled upon this instead.

Monday, February 10, 2014

A Monday Poem

"Solitude" by Ella Wheeler Wilcox was one of my first favorite poems (right up there with Frost's "Nothing Gold Can Stay" and Angelou's "I Know Why the Caged Bird Sings"). It's easy to see why. Maybe I was an unusual sixteen year-old, but this poem got me through some of the more angst-ridden nights.

Sunday, February 9, 2014

A Sunday Poem


Perhaps, by today's standards, we would consider the language of this poem somewhat flowery, maybe overly exultant. If I read something similar in modern tongue by modern poet, I would probably think "OMG. Ick." But Shelley is not a contemporary, and this poem is all things lovely and beautiful, and my heart feels very full when I read it. I especially love the soul as a boat, as I love all water imagery. Also: "And we sail on, away, afar, / Without a course, without a star, / But by the instinct of sweet music driven." The fact that the title suggests the poet is honoring the voice of a singer makes it all the more endearing; that he could put words to the listening is truly marvelous.

Saturday, February 8, 2014

A Saturday Poem

Sonnet xxxii
by Edna St. Vincent Millay

Here is a wound that never will heal, I know,
Being wrought not of a dearness and a death,
But of a love turned ashes and the breath
Gone out of beauty; never again will grow
The grass on that scarred acre, though I sow
Young seed there yearly and the sky bequeath
Its friendly weathers down, far underneath
Shall be such bitterness of an old woe.
That April should be shattered by a gust,
That August should be levelled by a rain,
I can endure, and that the lifted dust
Of man should settle to the earth again;
But that a dream can die, will be a thrust
Between my ribs forever of hot pain. 

What struck me about this poem, other than the poem itself, is that a previous owner of my old hard-covered, 1950s edition of Edna St. Vincent Millay's Collected Works, penciled in "So True June 1956" above it. I still have some more to read, but from what I can tell, this is the only note written in the book. The book may look old, but before I came along, it's pages were crisp and neat. Now they are often dog-eared, but still, this little note remains the only non-printed writing. It means a lot to me. Vincent felt such wonderfully fierce emotions and passions in her lifetime. Apparently anonymous owner did too. And so have I. I feel kind of like one with these ghosts.

Friday, February 7, 2014

A Friday Poem

I'm a very lucky person. I get to start my weekends on Thursday night. So Friday always feels like Saturday to me. A slow, pajama-clad day, baking brownies and watching cartoons with my three year-old son. There's not much else I'd rather be doing right now, except maybe sleeping. It's only fitting I should read a nice, content poem today. Not unrequited love, no sorrow, no big questions about life. Thank you, William Carlos Williams, for this lovely, simple, wonderful poem I enjoy reading again and again. Here's someone who understands the simple pleasures of life, our reason for, in my opinion, for existence.

Thursday, February 6, 2014

A Thursday Poem


Robert Hass is one of my FAVORITE poets. This poem's opening line, "Maybe you need to write a poem about grace," hit me like giant octopus tentacles. I was sucked in to the welcome abyss of one of my favorite Roberts (equally tied with Bly). If you follow the above link, not only can you read this magnificent poem, you can listen to Hass read it. It's not easy to be a great poem-out-loud-reader. Most of us have that poet voice, where we're all drawn in to a melodic lullaby, but no one catches the words as their eyes slowly close. I wish I didn't sound that way, but I do. Not so with Robert. He's a pleasure to listen to. His voice is slow and calm but in a way that makes you engage with the words. Among the melody, their is friction too. I could go on and on about some of the lines, especially the ones in the second full stanza, about the man who wanted to kill himself and his meanderings about sea animals, but I'll let you experience it for yourself. What I love most is being taken through a story here. It may seem random at first, but it most certainly is not. It is life. It is grace. Elegance and movement. And just a little bit of song.

Wednesday, February 5, 2014

A Wednesday Poem

"A Hundred Years from Now" by David Shumate (from The Writer's Almanac January 29, 2014)

Please visit the link to read this poem. I don't want to get into any copyright issues...a whole other issue I haven't given enough thought to...have I posted poems I shouldn't have in the past? I'm not sure. Let me know if you see one, but I think they've mostly been oldies...

I love the tone of this poem. The language, the humor, the curiosity. The wistfulness (I don't think the poem is actually very wistful, but it makes me feel that way). I wish I could see how it all turns out too. But it really doesn't matter, does it? It speaks to how much changes in so little time, how we are all gone so quickly, yet I can't help thinking about how the big things don't change at all. Carriages came and went, and so, too, may baseball and opera, but family is family. Grandparents, children. They live and die, but our time together is what makes us human. A hundred years from now, we may be gone, but we will live on in the generations to come.